On craftsmanship, the right tools, and cinematic storytelling.
Cults hold a special fascination for me. I was in one once, from the tender ages of 16 to 24,
Time as construct. Time, architected.
The thing I love most about experimental film is the way it allows for architecting time. I spent a year
Cinema lust.
Hecq Vs Exillion – Spheres Of Fury from Tim.Chris.Film on Vimeo.
Found this film via a tweet. LOVE IT.
Det Perfekte Menneske.
Last night I sat in on part of a storytelling lecture at the UW that featured part of this film,
Ticks.
So, yeah. This is the work of Martin Arnold. I want to do more experimental film and I really like
Gasman.
Last Wednesday night, I had my friend Apryl come speak to my class on film and semiotics. I met her
The Art of the Title Sequence.
I just found this really cool website, via A Very Short List: The Art of the Title Sequence. An archive
Pangea Day.
Despite the fact that I disagree with most of my country’s foreign policy decisions and ABSOLUTELY DETEST the Bush
Juno Film Titles.
Speaking of Juno, this is so cool! An interview with Shadowplay Studios that tells how the title sequence was made.
Romanian New Wave.
Will and I went and saw Four Months, Three Weeks, and Two Days last night, an excruciating film. At one
