Native Son. White guilt.
Baltimore haunts me. And I fear it always will. I feel guilty. Guilty for being white. Guilty for taking flight.
On craftsmanship, the right tools, and cinematic storytelling.
Cults hold a special fascination for me. I was in one once, from the tender ages of 16 to 24,
Weiwei-isms, a Sazerac, and the West Village.
Sitting on a bar stool in the dark, red light of The Spotted Pig in the West Village. Drinking ale
To Seth and parties of five.
I always wondered which one of my siblings would die first. Now I know.
My brother lies in a funeral
The Inaugural Second Sundays.
Second Sundays (not to be confused with Sunday Suppers, although if you did confuse ours with theirs, we would be
On Whisky-Centered Design: Designing the Glencairn Whisky Glass
TASTING whiskies can be a clinical, prosaic task, nosing and assessing, jotting notes, reconsidering, lips compressed in concentration, brow furrowed.
Ode to Common Things.
by Pablo Neruda.
I have a crazy,
crazy love of things.
I like pliers, and scissors.
I love cups, rings,
Designing Delight: The best user experiences are multi-dimensional.
Delight. A dimension of human emotion, equal parts happiness and surprise, it’s a word used a lot in design.
On Christmas lights and warehouse smoke.
Bring yourself. Take your time. The food will bring the minds together, as foreign as they might be. Friends will
Massimo on Semantics, Syntactics, Pragmatics.
In his introduction to the Vignelli Canon, esteemed, prolific designer Massimo Vignelli writes, “I thought that it might be useful